randian | 燃点

Thinking about the future has evolved differently, however; envisioning what might be is niche work normally reserved for “professional futurists” in the small worlds of academia and industry, for example through speculative design. >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

The Shanghai Himalayas Museum is pleased to present “Himage”, >> Read more

As a conceptual tool devised for this exhibition, “Mimeticism” differs from Realismin that, while the latter embraces countless possible denitions and means ofrealisation, >> Read more

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more

French art group Agapanthe’s solo show “New Order”, curated by Lu Mingjun, is Wuhan International Art Center’s first attempt to introduce a residency program into their exhibition process. >> Read more

Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more

Like the impact of any massive object, the past months have seen shockwaves emanate from the opening of the National Gallery of Singapore (NGS), in the form of various reviews and opinion pieces. >> Read more